OAC Artist Residency

Meet our current Artist in Residence!

Emmie Pappa (They/Them)

I am a multidisciplinary artist and folklorist based in Bend, Oregon. Working across visual arts, ceramics, leatherwork, sculpture, and textiles, I explore how creative practices and the objects people make reflect relationships between culture, memory, place, and the environment. My work often transforms discarded and readily available materials into imaginative, functional, and performative objects, including costume, papier-mâché masks, and puppets.

Drawing on Guatemalan visual traditions, Western folk art, and personal and familial histories, I investigate how objects carry stories and cultural memory across time and space. My practice explores the relationship between tradition and innovation: how inherited knowledge is preserved, adapted, and transformed through individual expression. As a mixed-race, first-generation American, I approach making as a way to explore the complexities of ancestry, belonging, and identity.

I hold a PhD in Folklore from Indiana University Bloomington, with a focus on material culture. My background in folklore informs an expansive, material-driven practice that moves between making, collecting, documenting, and teaching. I am increasingly interested in bringing functional and performative objects together with storytelling, particularly through masks, puppetry, and crankies—traditional moving shadow-puppet theaters. Across these forms, I approach art-making as both an investigation of the world and an invitation to imagine it differently.

Why I am excited to be a part of the OAC artist community:

I’m drawn to the Open Arts Center because my creativity thrives in the company of other artists. As a member of the MILAGROS collective making large-scale collaborative work, through traditional and folk art participation in Guatemala and New Orleans, and queer performance art communities, I’ve experienced how art-making can be rooted in cooperation, shared knowledge, and collective expression. These experiences have shaped my belief that art is more than the work of an individual: it is a synthesis of the world around us, brought to life through the contributions and perspectives of many.

Relatively new to Central Oregon, I’m eager to learn about the region’s artistic community and what it means to sustain a creative practice here. I’d love to get to know the artists at OAC, learn about their work and processes, exchange skills, and find opportunities to collaborate. I see this kind of community as a space where artists can challenge and inspire one another while building something richer than any one person could create alone.

I’m also excited to connect with teens as a mentor, collaborator, and sounding board. With more than a decade of experience teaching art and its cultural context in studios, higher education, museums, and public programs, I enjoy helping people explore their interests and trust their creative instincts. I’d love to share skills from my eclectic toolbox—including mask and puppet construction, papier-mâché, ceramics, leatherwork, storytelling, and DIY publishing—while learning from what others bring to the table.